Michael produced and directed for Sony a real-time composited live action and animation short which was the first demonstration of real-time integration of computer graphics with high definition video in 1989 (Symbolics and Sony HDTV). In 1988, Michael saw Kirk Gibson hit the game winning home run in the first game of the World Series between the Dodgers and the Oakland A's. During the very early years of digital animation and visual effects, on films such as “Buckaroo Banzai” and “Project X”, Michael innovated novel ways to integrate computer graphics with live action and traditional visual effects. Michael received his first Visual Effects Supervisor credit on "War Games” in 1982. Michael started his film career on “The China Syndrome”, followed shortly by films such as “Star Trek – The Motion Picture”, and “Blade Runner”. Michael has earned degrees from California State University Northridge, San Francisco Art Institute, and California Institute of the Arts, in an attempt to leave behind a checkered past that included stints as an Army officer, a money manager, and a studio artist and photographer. Mitchell Business of Cinematic Arts Program John Wells Division of Writing for Screen & Television.Hench Division of Animation + Digital Arts Fang, Liangfang Zhang, Jie Zheng, Chuanqi Peng, Bujie Du, Mengxiao Yu, Danielle M. McNally, Sara Busatto, Joy Wolfram, Paolo Bergese, Mauro Ferrari, Ronnie H. Harrison, Chuanbin Mao, Priyabrata Mukherjee, Rajagopal Ramesh, Lacey R. Amiji, Maria José Alonso, Alke Petri-Fink, Sandor Balog, Aaron Lee, Barbara Drasler, Barbara Rothen-Rutishauser, Stefan Wilhelm, Handan Acar, Roger G. Santos, Luis Santos, Samir Mitragotri, Steve Little, Dan Peer, Mansoor M. Weiss, Bruno Sarmento, José das Neves, Hélder A. Chetwynd, Iseult Lynch, Seyed Moein Moghimi, André Nel, Tian Xia, Paul S. Lamprou, Clare Hoskins, Leaf Huang, Wantong Song, Huiliang Cao, Xuanyong Liu, Klaus D. Skjolding, Anders Baun, Marlene Ågerstrand, Zhen Gu, Dimitrios A. McNeil, Bengt Fadeel, Lang Tran, Steffen Foss Hansen, Nanna B. Kozlov, Adriele Prina-Mello, Ruth Schmid, Peter Wick, Fanny Caputo, Patrick Boisseau, Rachael M. Jeffrey Brinker, May Azzawi, Steve Conlan, Christine Dufés, Andrew Owen, Steve Rannard, Chris Scott, Chunying Chen, Marina A. On the issue of transparency and reproducibility in nanomedicine In 2011 she joined forces with Barbara Rothen-Rutishauser to share the BioNanomaterials chair at the Adolphe Merkle Institute. In 2009, she was nominated asa SNSF Professor, and moved her group to the Department of Chemistry in Fribourg. In 2003, she became a senior scientist and group leader at the Institute of Materials Science, before being awarded a permanent position in 2006 and a Fellowship for Advanced Researchers in the same year (Vanderbilt University, Nashville, USA). There she established nano-materials as a new research field, initiated various national and international projects, fostered contacts with many industrial partners, and supervised students at all levels of their education. After a post-doctoral visit at the Engineering Research Center for Particle Science and Technology, University of Florida, she joined the Laboratory for Powder Technolgy (LTP) at the Institute of Materials Science at the École Polytechnique Fédéral Lausanne (EPFL) in 2000. Alke Fink studied chemistry at the University of Ulm, Germany and the University of New South Wales, Sydney, Australia and received her Ph.D.
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